How to Get Accepted as a Microstock Contributor
August 17th, 2007 by Lee Torrens
At some microstock agencies you need to have a sample of your work evaluated to be approved as a contributor. Agencies need to maintain the quality of their portfolio. They also need to protect themselves from spending too much time and resources reviewing submissions from photographers whose photos aren’t yet commercial quality.
I’ve seen people with a degree in photography rejected. I’ve seen experienced photographers with top quality equipment rejected. Don’t underestimate the evaluation. It’s not easy.
I’m an amateur photographer and when I first started I had very little experience. I had to work harder than most to get through the process. I was rejected 3 times at iStockphoto, rejected twice at Shutterstock and rejected once at StockXpert. Here’s some advice from these experiences.
Wait Until You’re Ready
Maybe you just completed your photography degree. Maybe you just got your first digital SLR camera. Maybe you just discovered microstock. Whatever your situation, do some research and planning before jumping in. Why? Some agencies enforce a ‘training period’ if you’re rejected. At Shutterstock you need to wait a month before reapplying.
Apply with Technically Good Photos
If you don’t know about noise, composition and exposure, don’t apply. If you want to make any respectable amount of money with microstock, these are things you’re going to need to know anyway. Resist the temptation to jump right in with what you’ve got if you don’t know if it’s good or not. The Internet is full of great resources to improve your knowledge of photography.
Apply with Commercial Photos
Do the research for what photos the microstock agencies are looking for and what they don’t want. Start with my post about what not to submit. If you apply with the same old images the agencies see all the time, you’re far less likely to be accepted. Give them some exciting and original photos they’d love to have in their portfolio.
Be Realistic
You think it’s simple, but this is the most difficult part. Unless you’re an experienced professional photographer, you are the worst person to judge the quality of your own images. Get opinions from people who know about photography. Don’t ask your partner or your mother. People who love you are not a good choice - they’re biased. If you can’t find any professional photographers or graphic designers, find some photography forums where you can upload your photos and have them reviewed by (mostly) knowledgeable strangers.
Test the Market
Not all agencies require you to submit examples of your work. Take advantage of this and contribute a few of your best photos to see what gets accepted, and if so, how it sells. You’ll quickly get a feeling for the quality of your photos and how they fair in the microstock market.
Don’t Make Rejection Mean Anything
We humans have an amazing capacity to take a piece of information and make it mean all sorts of other things. It rarely does. If your application is rejected, it does NOT mean:
- the reviewer doesn’t know what they’re talking about
- it’ll never work / I can’t do it
- your photos are crap
- that agency is crap
- microstock is crap!
- you’re a bad photographer
Here’s what is does mean:
That agency doesn’t consider those particular photos as an appropriate example of the images they’re looking for at this time.
Many great photographers - and ‘potentially great’ photographers - have, and will continue to, deprive themselves of a rewarding and highly passive source of income by making the rejection mean something it doesn’t mean. Use the advice in this post, use the advice in your feedback from the agency, improve your photography, and re-apply.
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Tags: Contributing, iStockphoto, Microstock, Shutterstock, StockXpert














IStockPhoto reject feedback helped me a lot. Although I have been a photographer for a while, I didn’t really know what artifacts were or how to prevent them. Also I need to pay more attention to the focal plane and and try to go for a safer smaller aperture when possible.
good stuff, and as you said, objective criticism is hard to find.
Hi,
Well, as my three images were rejected by Istock today, I luckily stumbled on your article…great article that exactly describes the first emotional reactions when the images are “subpar”… I also was inspired by your way of dealing with it.
Keep up yor good blog,
Greetings
Wim van Es
The Netherlands
Thanks for your site, it is quite useful! I have a question about camera-type — I have a Panasonic DMC-LZ5 6MP camera. A lot of the microstock sites I see require at least 4MP images, some only 2.5MP, so I meet the MP qualification, but my camera is not a DSLR camera. My question is, is this camera OK to submit photos to microstock agencies with? I know mostly everyone has a DSLR these days, but I simply can’t afford one right now, and was wondering if I would be wasting my time trying to submit with this camera. I submitted some images to Photoshelter (which I know is a macro-stock agency) and as you might imagine, was wholly-rejected.
Thanks in advance!
Hi there,
Yes, you’re going to struggle with that camera. While it’s definately possible to get some great shots from non SLR cameras, it’s much more difficult to create what microstock (and macrostock) agencies are seeking. Standards are rising fast, so while many of us were lucky enough to get started in microstock with non SLR cameras, it’s almost impossible to do so now.
Low end DSLR cameras are now very affordable and you can usually find good second hand DSLR cameras even cheaper. Also, don’t presume that once you have a DSLR camera that the expenses will stop. Producing profitable stock photos requires ongoing spending, so find a way to justify the expenses if you’re serious about entering this market.
Good luck!
-Lee
I was afraid you would say that!
Thanks so much for your quick response though. I guess it is off to Amazon, eBay or Craigslist to see what I can find to break into the market!
I’d like someone here to talk about artifacts and filtering. I’ve had many images rejected by iStock because of these issues.
The cameras I use are Canon 20D and a PhaseOne H25. After taking the image, I do a certain amount of raw processing and then follow up with some retouching. I assume that is where my problem is. Could someone elaborate on these issues and how to avoid them?
Also, following the last post I thought I would ask about the Canon G9. I’ve been considering buying this camera as an upgrade to my point and shoot only, but was wondering if microstock sites would consider images from this camera.
It is 12mp and you can shoot in the RAW format. Any thoughts?
Hi Ervstock,
Thanks for your question, but I leave technical photography stuff to those more qualified. Rasmus has one of the better resources for technical aspects related to microstock, plus you can get great technical advice on the agency information pages and forums (just be sure to read around thoroughly before posting as they sometimes get too many new threads about technical issues).
I hope that helps, and good luck!
-Lee